Programmatic Music and Extra-Musical Stimuli

A little while ago I said that I wanted to compose a piece directly inspired by the famous Klimt painting, “Adele Bloch-Bauer I”, re-named “The Lady in Gold” by the Nazis who stole it, and the subject matter of the recent film “Woman in Gold”.

I’ve already mentioned that I have a particular interest in art and that art inspires a lot of my work nowadays.  It is particularly important for me, however, that if I say I am writing a piece directly inspired by a work of art, that my own work tries to directly convey what I see visually  –  not just what I feel emotionally.  I feel that too often nowadays composers will attempt to attach their work to some subject or other in order to gain the interest of a particular audience (or even more likely, to attract a commission).  The result, however, is often highly subjective at best  –  and at worst displays a disconnect which mystifies the audience.

Of course, the result of such a project is always going to be subjective to some degree  –  but if, hand on heart, I can say that I have attempted to stay close to my chosen inspiration, in form as well as feeling, then I can be happy that I have done myself (and hopefully, the artist too) justice.

Musical compositions need not have any extra-musical stimuli or programmatic qualities at all, of course  –  music can be “music for music’s sake”  –  but increasingly this does not seem to be the case.  One only has to look at the list of new music composed for the 2015 BBC Proms to see that composers are taking  extra-musical inspiration from a wide variety of sources.  The old standard forms of the sonata and the symphony as used by the great masters of the Classical era and then developed by the composers of the Romantic era, have, to all intents and purposes, run their course and have been discarded by modern day composers (though not exclusively).  These have not been replaced with new standard forms for the present day and this possibly explains the need of composers to attach their work to some extra-musical stimulus or other in order to develop form.

Given my genuine interest in art, as well as my particular liking for modern art, I feel that my work is much more closely inspired by, and much more intrinsically related to my chosen subject matter than might otherwise be the case. My composition, inspired by Klimt’s “Adele Bloch-Bauer I”, is now complete, and I will post an extract of this piece later in the week.

The Hands of Time

Last weekend I was lucky enough to attend the Patek Philippe exhibition of luxury watches at the Saatchi Gallery in London.  The security presence was intense, as this collection of beautiful timepieces (which were mostly made of gold or platinum and many encrusted with diamonds and jewels of all kinds) represents considerable value.  We were also given an insight into the workmanship involved in the making of all the intricate parts of these watches, as well as the time and skill required to do so.

I’m very glad to say that I have no photographs to share with you from this exhibition.  The clicking of smartphones was irritatingly continuous and I’m sorry to say that the smartphones often got a better view of the objects on display than did I.  The joy of experiencing  and appreciating things in the present, with one’s own eye, seems to have now lost out to the desire to “share” things via social media after the event.

Nonetheless, I feel very privileged to have visited the exhibition and to have seen these watches at close quarters.  It also rekindled a desire on my part to compose a piece based on the idea of the passing of time and how we are made acutely aware of this by the timepieces around us.

However, this idea will have to join my ever increasing wish list.  Some posts ago I said that I wanted to compose a piece about the Klimt painting “Adele Bloch-Bauer I”, which was the subject of the recent film, “Woman in Gold”.  I’m pleased to say that I’ve been working on this piece and will be ready to unveil this within the next week or so.

The “Office”

I wonder where other people actually write their blog posts?  My current “office” is my local Krispy Kreme doughnut cafe.  There are worse places to spent your time  –  and I find the words flow incredibly well over a mocha and a doughnut!

Old fashioned as I am, I always write long-hand  –  and always in pencil  –  in a little notebook.  Being a touch typist with a prowess of sixty words per minute this is quickly transferred to the laptop.

This friendly, local cafe has also become a place where I do creative work and think about the structure of new compositions.  Novelists and writers of all kinds have long been known to write in cafes and restaurants, J.K. Rowling being a prime example in recent times.  So if it’s good for novelists it must be good for composers too!

http://www.theatlantic.com/business/archive/2011/04/working-best-at-coffee-shops/237372/