A little while ago I said that I wanted to compose a piece directly inspired by the famous Klimt painting, “Adele Bloch-Bauer I”, re-named “The Lady in Gold” by the Nazis who stole it, and the subject matter of the recent film “Woman in Gold”.
I’ve already mentioned that I have a particular interest in art and that art inspires a lot of my work nowadays. It is particularly important for me, however, that if I say I am writing a piece directly inspired by a work of art, that my own work tries to directly convey what I see visually – not just what I feel emotionally. I feel that too often nowadays composers will attempt to attach their work to some subject or other in order to gain the interest of a particular audience (or even more likely, to attract a commission). The result, however, is often highly subjective at best – and at worst displays a disconnect which mystifies the audience.
Of course, the result of such a project is always going to be subjective to some degree – but if, hand on heart, I can say that I have attempted to stay close to my chosen inspiration, in form as well as feeling, then I can be happy that I have done myself (and hopefully, the artist too) justice.
Musical compositions need not have any extra-musical stimuli or programmatic qualities at all, of course – music can be “music for music’s sake” – but increasingly this does not seem to be the case. One only has to look at the list of new music composed for the 2015 BBC Proms to see that composers are taking extra-musical inspiration from a wide variety of sources. The old standard forms of the sonata and the symphony as used by the great masters of the Classical era and then developed by the composers of the Romantic era, have, to all intents and purposes, run their course and have been discarded by modern day composers (though not exclusively). These have not been replaced with new standard forms for the present day and this possibly explains the need of composers to attach their work to some extra-musical stimulus or other in order to develop form.
Given my genuine interest in art, as well as my particular liking for modern art, I feel that my work is much more closely inspired by, and much more intrinsically related to my chosen subject matter than might otherwise be the case. My composition, inspired by Klimt’s “Adele Bloch-Bauer I”, is now complete, and I will post an extract of this piece later in the week.